Music: And So to the Movies
Identifieur interne : 000B69 ( Main/Exploration ); précédent : 000B68; suivant : 000B70Music: And So to the Movies
Auteurs : Michael BurdenSource :
- Journal for Eighteenth‐Century Studies [ 1754-0194 ] ; 2011-12.
English descriptors
- KwdEn :
Abstract
The study of music history has, in the last decades, seen a move away from the music of the canon, and of dead, white, male, ‘great’ composers, towards a closer engagement with performance and a clearer understanding of the contexts and institutions that produced music of all types. This article chooses five ways into the jungle of modern musical scholarship – monumental supporting projects; historical overviews; an independent voice for eighteenth‐century music research; performance practice; and music, celebrity and the cinema – and considers how they have shaped, and continue to shape, the subject as it is today.
Url:
DOI: 10.1111/j.1754-0208.2011.00442.x
Affiliations:
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Le document en format XML
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<front><div type="abstract" xml:lang="en">The study of music history has, in the last decades, seen a move away from the music of the canon, and of dead, white, male, ‘great’ composers, towards a closer engagement with performance and a clearer understanding of the contexts and institutions that produced music of all types. This article chooses five ways into the jungle of modern musical scholarship – monumental supporting projects; historical overviews; an independent voice for eighteenth‐century music research; performance practice; and music, celebrity and the cinema – and considers how they have shaped, and continue to shape, the subject as it is today.</div>
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